fɔːlən

The collection is considered as an evolution of the individual from an initial reality, in which he conforms to what he knows, to a new reality, arising from the doubt that leads him to reveal himself to explore the unknown.

We start with some loose silhouettes and a chromatic range is dominated by the whites and bluish, leaving between seeing between the pleats of these brushstrokes of gold and red wine. These give way to ornate strips and games of opacity and transparency, and to some silhouettes they bifurcate in the interior of way clear, giving way to a distinction between sexes. As an intermediate step to the last third of the collection, the accused volumes and decontextualized tailoring garments appear, adapting the silhouette to the body and goes on to an extra treatment in the fabrics, with hand embroidery couture style. Giving way to the last third of the collection, we find a palette of much darker and intense colour, with sharper silhouettes, full of layers and with references of the classic tailoring, and the fabrics appear more worked.